2023
| Texas Horned Lizard | Full orchestra (3232.4231. 4 percussion, harp, celesta, strings) c. 3 min., part of the “San Antonio Carnival of the Animals” collaboration between Youth Orchestras of San Antonio, San Antonio Zoo, and Composers Alliance of San Antonio. |
| Variations on Themes of Saint Philip | Solo organ, commission by Katherine Schmitz In three movements, based on chant from the Liber Usualis |
Requiem, for the Victims of a Pandemic* (*chamber accompaniment) | Choir SATB, 2 Soloists, & new reduction for Chamber Ensemble of 5 musicians Consortium commission by Trinity University (Gary Seighman), University of the Incarnate Word (Bill Gokelman), and Young Professional Choral Collective (Danielle Steele) c. 31 minutes For more information about this project, including the lyrics, click here. |
2022
| Requiem, for the Victims of a Pandemic | Choir SATB, 2 Soloists, Chamber Orchestra Consortium commission by Trinity University (Gary Seighman), University of the Incarnate Word (Bill Gokelman), and Young Professional Choral Collective (Danielle Steele) c. 31 minutes For more information about this project, including the lyrics, click here. |
| “Committed During COVID” – a short opera | Short opera with Sheila Rinear, librettist Project organized by Drs. Kevin Salfen and Ken Metz in San Antonio, through the University of the Incarnate Word Songs & scenes in post-production and to be released in a virtual environment called the “Opera Complex” |
| Trace~ | Graphic score for saxophone quartet Composed for a Composers Alliance San Antonio Project with ~Nois saxophone quartet and the International Arts Festival at UIW |
| Four Short educational pieces | “Particles” – etude for solo piano (advanced) “Dorian’s Day” – for piano solo (beginner) “Easy Elephant Walk” – for solo tuba (beginner) “Rumination” – for solo tuba (advanced) Works composed for a Composers Alliance San Antonio Project “Made in SA” |
| Epitaph for a Darling Lady | Arrangement of original song for brass quintet |
2021
| Opera Complex project: “Committed during COVID” (project launched) | Project with Sheila Rinear, librettist organized by Drs. Kevin Salfen and Ken Metz |
| Requiem, for the victims of a pandemic (project launched) | Consortium call for choirs/orchestras to join this project For more information, click here |
| Forgotten Folksong | -Miniature for clarinet, composed for the Made in SA VII music for young performers concert (CASA) premiered by Angela Liendo |
2020
| Dragonflies | -for flute and piano, composed for Abigail Walsh and Pei-I Wang (Music Wall Duo) a Composers Alliance San Antonio Project |
| Miniatures Postcard Series | a series of miniatures during a time of certain uncertainty Intimacy – for harp Meditation – for organ Smelling of Ink – for voice & marimba Remembrance – for clarinet Mystery – for piano Deep True – for piano Key Sparks – for clarinet Conectada – for speaking cellist Matrix – for flute Rumbo – for alto flute Serene – for cello Vitamin E – for violin |
| a Seed | -miniature for Oboe Project invitation by Teil Buck, oboe |
| UNDA Cellotrónica album | -May 1, 2020 album release! Exciting collaboration with cellist Clara Rivière -Karin Veldkamp, graphic design -Thomas Rex Beverly, mastering -Jim Waller, recordist |
| Clementi Sonatinas Project | Trio arrangements of the Clementi Sonatinas for SOLI Chamber Ensemble’s educational project |
2019
| Nest | -Commission by SOLI Chamber Ensemble: a new work for quartet: violin, cello, clarinet, and piano and electronics (field recordings) Premiere: October 14 & 15, 2019 |
| UNDA Cellotrónica album | -Recording of the album with cellist Clara Rivière |
| Train III | -for cello & electronics |
| Cinco Letras | -adaptation for cello & electronics |
| SA24 project | -contributed two songs with lyrics by Texan poets for the project with Composers Alliance of San Antonio “After the Melanoma” – setting of poem by Natalia Treviño “Pitt’s SA” – setting of poem by Darrell Pittman |
2018
| Under (harp in a resonant space) Project: Under the bridge (Onder de brug) | – harp solo for floating harp under a bridge in collaboration with theater maker/harpist Iris van der Ende developed for Over Het IJ Festival and Amsterdam Grachtenfestival |
| “BuitensteBinnen” (OutsideIn)Project Klanktheater D.E.E.P | – music theater crossover: cello, harp, clarinet, electronics in combination with walk-in painting, photography projection, and more! in collaboration with Clara Rivière Visier, Iris van der Ende, artists from Werkplaats K |
| Sentinels, for cello and field recording (June, Krems, Austria) | – cello and field recordings/electronics in collaboration with Clara Rivière Visier for Artist in Residence Krems |
| rüf Elise, remix of “Für Elise” | – take scissors to a famous piano solo and cut, mix, or flip around a famous score to hear how it transforms — that was the approach. Read blog. |
2017
| Der weiße Wald (The white forest) | – cello and storyteller in collaboration with Clara Rivière Visier, cello and Sabine Jacobs, visual artist |
| Molenharp | – harp, projection, and electronics in collaboration with Iris van der Ende |
| Bridge | – violin, mezzo-soprano, and piano commissioned by Musical Bridges Around the World |
| De stem van de molen / The voice of the windmill | – windmill, harp, and wind in collaboration with Iris van der Ende |
2016
| Tshoshwane | – sonic material from Mmabolela Field Recording Workshop in South Africa Listen on the Free Music Archive |
| Remember my fate | – two bassoons |
| Perseus Cluster | – for tuba, trumpet quartet, and four brass choirs |
| G, a throat opera | – singer and tape, live video projection |
| Adem | – bayan and tape |
2015
| Sterven | – theater, harp, guitar in collaboration with Iris van der Ende |
| One | – flute & clarinet |
| Train II | – seven players and field recording |
| A cup of tea | – singer and tape (music theater) |
| Escalator | – Yamaha Disklavier and field recording supported by the Conlon Foundation |
| Hortus Botanicus Leiden Sound Experience | – audio walk for headphones in collaboration with Iris van der Ende |
| Tulp | – soprano and electric guitar Words by Mareen Lieftink |
2014
| Train | – seven players and field recording |
| Leaf Cycle | – string trio (also for low strings) commissioned by Zvov (formerly Zvuv) Included in the “Zvov Sensory” project |
| Cinco Letras | – cello and graphic projected score |
| The Cough Drop Song | – singing pianist |
2008 – 2013
| Rootabaga Stories (2013 – 2014) | – an opera in two scenes based on Carl Sandburg’s stories from Rootabaga Country |
| Rhapsody | – oboe and harp |
| Peanuts or Pretzels? | – soprano and piano miniature |
| Melampau | – flute |
| Toycycle | – toy piano and tricycle |
| Laugh in the Mirror | – audio/visual installation in collaboration with artist Lexi Bass |
| Twisting Brook | – toy piano for vox novus project Mark Robson |
| Too Many Cooks… | – percussion trio |
| Epitaph for a Darling Lady – Dorothy Parker poem | – soprano and piano |
| Buzz | – miniature percussion duo |
| Firebox | – piano commissioned by Jordan Waller-Opaski |
| Selections from Huber Winery, five character pieces | – piano commissioned by Dr. Krista Wallace-Boaz |
| Switch | – clarinet and live electronics |
| Close Encounter of the Hillbilly Kind | – a pocket opera 2 singers and 5-piece ensemble |
| Nigerian Scam Cycle | – soprano and piano novelty songs |
| Hot Pink Toccata | – organ |
| Animal Opus | Electroacoustic music page |
| Cave of Sleeping Accordions | Electroacoustic music page |
| Oscillations | – string quartet |
| Dance Suite | – double bass |
| Wiegenlied | – organ |
| 8 | – organ |
| To Breathe One’s First – orchestra (2010/12) | – full orchestra, 2.2.2.2. 4.2.3.1. 1.2. harp, piano, strings |
| Duo | – clarinet and marimba |
| Battle of Fantastical Forces | – Messiaen quartet (violin, clarinet, cello, piano) |
| Frolic | – marimba |
| Teufelstanz | – piano |
| Remember From Womb You Came | Electroacoustic music page |
| Incidental Music for BOOTH | – theatre music for mixed ensemble for Trinity University Theater production |
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