{"id":5470,"date":"2019-04-16T04:38:52","date_gmt":"2019-04-16T02:38:52","guid":{"rendered":"https:\/\/yvonnefreckmann.com\/?page_id=5470"},"modified":"2025-03-14T15:51:21","modified_gmt":"2025-03-14T14:51:21","slug":"unda","status":"publish","type":"page","link":"https:\/\/yvonnefreckmann.com\/es\/unda\/","title":{"rendered":"UNDA Cellotr\u00f3nica album"},"content":{"rendered":"
\"UNDA<\/figure>\n\n\n\n
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Story<\/h3>\n\n\n\n

The inspiration for UNDA Cellotr\u00f3nica is how the voice of the cello may be enriched by the manifold options the electroacoustic world can bring. For Yvonne Freckmann,<\/strong> composing is the ideal way to explore ideas and sounds to engage the mind. For cellist Clara Rivi\u00e8re<\/a><\/strong> inspiration comes through experimentation with fresh ideas and living at the intersection of music, theater and multimedia performances. Together they form part of the group Klanktheater<\/strong>, dedicated to exactly their strengths.<\/p>\n\n\n\n

UNDA Cellotr\u00f3nica<\/strong> is the result of the four-year exploration of melding a classical modern cello sound with pre-recorded sounds that range from trains, to birds, to recordings of the cello itself. The album UNDA (in Latin, waves), is a compilation of the five exciting works to stretch your ears.<\/p>\n\n\n\n

Two additional main collaborators join the team: mastering engineer Thomas Rex Beverly<\/a>, and painter\/graphic designer Karin Veldkamp<\/a> designs the album art.<\/p>\n\n\n\n

UNDA-Cellotr\u00f3nica-Bio<\/a>Download<\/a><\/div>\n<\/div>\n\n\n\n
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Video<\/h3>\n\n\n\n
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