{"id":22846,"date":"2025-03-11T10:28:11","date_gmt":"2025-03-11T09:28:11","guid":{"rendered":"https:\/\/yvonnefreckmann.com\/?page_id=22846"},"modified":"2025-03-14T15:24:54","modified_gmt":"2025-03-14T14:24:54","slug":"works-by-year","status":"publish","type":"page","link":"https:\/\/yvonnefreckmann.com\/es\/works-by-year\/","title":{"rendered":"Works by Year"},"content":{"rendered":"
\n\t\t\t\n\t\t\t\t
\n\t\t\t\t\tWorks by Category<\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/a>\n\t\t<\/div><\/div>\n\n\n

2024<\/p>\n\n\n\n

Character pieces for Pinocchio<\/td>Short character pieces for clarinet solo to accompany readings of Pinocchio. A Composers Alliance of San Antonio Project.<\/td><\/tr>
Scenes from Sisterhood<\/td>Duo for two multi-instrumentalists who play flute, horn, and piano.
c. 9 min.
Commissioned for Madeline Maldonado and Lillian Maldonado by Mario Maldonado & Lindsey Perez, Nadia Mendiola, Betty Kwan (in memory of Ken Kwan), and Liesl Perez<\/td><\/tr>
Four SOLI Moments<\/em><\/td>Bb clarinet, violin, cello & piano
graphic score
c. 5:30 min.<\/td><\/tr>
City Spirals<\/em><\/td>Piano solo, c. 3 min.
Inspired by the city life of Madrid.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2023<\/p>\n\n\n\n

Bread Machine<\/em><\/td>Wind quintet & Video: Flute, oboe, Bb clarinet, horn, bassoon & video (audio & video recording of the bread machine) to be projected live. The piece requires a click track for the performers to achieve synchronization.
9 min.
Premiere by Adelante Winds in March 2024 as part of a Composers Alliance of San Antonio project.<\/td><\/tr>
Silent Night<\/em><\/td>Tenor, violin, piano, arrangement of “Silent Night”
Commissioned by Musical Bridges Around the World for Jolente De Maeyer (violin), Nikolaas Kende (piano) and Eric Taylor (tenor), premiered by them in December 2023. 
3 min.<\/td><\/tr>
Texas Horned Lizard<\/em><\/td>Full orchestra (3232.4231. 4 percussion, harp, celesta, strings) c. 3 min., part of the \u201cSan Antonio Carnival of the Animals\u201d collaboration between Youth Orchestras of San Antonio (YOSA), San Antonio Zoo, and Composers Alliance of San Antonio.
Premiere on May 12, 2024 by YOSA at the Tobin Center in San Antonio, Texas.<\/td><\/tr>
Texas Sky<\/em><\/td>Solo piano, c. 3 min.<\/td><\/tr>
Variations on Themes of Saint Philip<\/em><\/td>Solo organ, commission by Katherine Schmitz
In three movements, based on chant from the Liber Usualis
c. 12 minutes

Premiere by Dr. Katherine Schmitz in February 2024.<\/td><\/tr>

Requiem<\/a><\/em>, for the Victims of a Pandemic*
(*chamber accompaniment<\/em>)<\/td>		Choir SATB, 2 Soloists, & new reduction<\/strong> for Chamber Ensemble of 5 musicians

Consortium commission<\/a> by Trinity University (Gary Seighman), University of the Incarnate Word (Bill Gokelman), and Young Professional Choral Collective (Danielle Steele)

c. 31 minutes

For more information about this project,
including the lyrics, click here<\/a>.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2022<\/p>\n\n\n\n

\n
\n
Requiem<\/a><\/em>, for the Victims of a Pandemic
<\/td>		Choir SATB, 2 Soloists, Chamber Orchestra
Consortium commission<\/a> by Trinity University (Gary Seighman), University of the Incarnate Word (Bill Gokelman), and Young Professional Choral Collective (Danielle Steele)

c. 31 minutes

For more information about this project,
including the lyrics, click here<\/a>.<\/td><\/tr>
“Committed During COVID”<\/em>
– a short opera<\/td>		Short opera with Sheila Rinear<\/a>, librettist
Project organized by Drs. Kevin Salfen and Ken Metz in San Antonio, through the University of the Incarnate Word

Songs & scenes in post-production and to be released in a virtual environment called the “Opera Complex”
<\/td><\/tr>
Trace<\/a>~<\/em><\/td>Graphic score for saxophone quartet

Composed for a Composers Alliance San Antonio Project<\/em> with ~Nois saxophone quartet and the International Arts Festival at UIW<\/td><\/tr>
Four Short educational pieces<\/td>“Particles” – etude for solo piano (advanced)
“Dorian’s Day” – for piano solo (beginner)
“Easy Elephant Walk” – for solo tuba (beginner)
“Rumination” – for solo tuba (advanced)

Works composed for a Composers Alliance San Antonio Project<\/em> “Made in SA”<\/td><\/tr>
Epitaph for a Darling Lady<\/em><\/td>Arrangement of original song for brass quintet
<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n

2021<\/p>\n\n\n\n

Opera Complex project:
“Committed during COVID”
(project launched)<\/td>		Project with Sheila Rinear<\/a>, librettist
organized by Drs. Kevin Salfen and Ken Metz
<\/td><\/tr>
Requiem<\/em>, for the victims of a pandemic
(project launched)
<\/td>		Consortium call for choirs\/orchestras to join this project
For more information, click here<\/a><\/td><\/tr>
Forgotten Folksong<\/em><\/td>-Miniature for clarinet, composed for the Made in SA VII music for young performers concert (CASA)
premiered by Angela Liendo<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2020<\/p>\n\n\n\n

Dragonflies<\/a><\/em><\/td>-for flute and piano, composed for Abigail Walsh and Pei-I Wang (Music Wall Duo)
a Composers Alliance San Antonio Project<\/em><\/td><\/tr>
Miniatures Postcard Series<\/td>a series of miniatures during a time of certain uncertainty<\/em>

Intimacy<\/em> – for harp
Meditation<\/em> – for organ
Smelling of Ink<\/em> – for voice & marimba
Remembrance<\/em> – for clarinet
Mystery<\/em> – for piano
Deep True<\/em> – for piano
Key Sparks<\/em> – for clarinet
Conectada<\/em> – for speaking cellist
Matrix<\/em> – for flute
Rumbo<\/em> – for alto flute
Serene<\/em> – for cello
Vitamin<\/em> E – for violin<\/td><\/tr>
a Seed<\/em><\/td>-miniature for Oboe
Project invitation by Teil Buck, oboe<\/td><\/tr>
UNDA Cellotr\u00f3nica album<\/a><\/td>-May 1, 2020 album release!
Exciting collaboration with cellist Clara Rivi\u00e8re<\/a>
-Karin Veldkamp, graphic design
-Thomas Rex Beverly, mastering
-Jim Waller, recordist<\/td><\/tr>
Clementi Sonatinas Project<\/td>Trio arrangements of the Clementi Sonatinas
for SOLI Chamber Ensemble’s educational project<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2019<\/p>\n\n\n\n

Nest<\/em><\/td>-Commission by SOLI Chamber Ensemble<\/a>:
a new work for quartet: violin, cello, clarinet, and piano and electronics (field recordings)
Premiere: October 14 & 15, 2019<\/td><\/tr>
UNDA Cellotr\u00f3nica album<\/a><\/td>-Recording of the album with cellist Clara Rivi\u00e8re<\/a><\/td><\/tr>
Train III<\/em><\/td>-for cello & electronics<\/td><\/tr>
Cinco Letras<\/em><\/td>-adaptation for cello & electronics<\/td><\/tr>
SA24 project<\/td>-contributed two songs with lyrics by Texan poets for the project with Composers Alliance of San Antonio
“After the Melanoma” – setting of poem by Natalia Trevi\u00f1o
“Pitt’s SA” – setting of poem by Darrell Pittman<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2018<\/p>\n\n\n\n

Under (harp in a resonant space)
<\/em>Project: Under the bridge<\/a> (Onder de brug)<\/td>		– harp solo for floating harp under a bridge
in collaboration with theater maker\/harpist Iris van der Ende developed for Over Het IJ Festival<\/a> and Amsterdam Grachtenfestival<\/em><\/td><\/tr>
 “BuitensteBinnen”
(OutsideIn)Project Klanktheater D.E.E.P<\/em><\/td>		– music theater crossover: cello, harp, clarinet, electronics in combination with walk-in painting, photography projection, and more!
in collaboration with Clara Rivi\u00e8re Visier, Iris van der Ende, artists from Werkplaats K<\/a><\/em><\/td><\/tr>
Sentinels<\/em>, for cello and field recording
(June, Krems, Austria)<\/td>		– cello and field recordings\/electronics
in collaboration with Clara Rivi\u00e8re Visier for Artist in Residence Krems<\/a><\/em><\/td><\/tr>
r\u00fcf Elise<\/a><\/em>, remix of “F\u00fcr Elise”<\/td>– take scissors to a famous piano solo and cut, mix, or flip around a famous score to hear how it transforms \u2014 that was the approach. Read blog<\/a>.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2017<\/p>\n\n\n\n

 Der wei\u00dfe Wald<\/a> (The white forest)<\/em><\/td>– cello and storyteller
in collaboration with Clara Rivi\u00e8re Visier, cello and Sabine Jacobs, visual artist<\/em><\/td><\/tr>
 Molenharp<\/em><\/td>– harp, projection, and electronics
in collaboration with Iris van der Ende<\/em><\/td><\/tr>
 Bridge<\/a> <\/em><\/td>– violin, mezzo-soprano, and piano
commissioned by Musical Bridges Around the World<\/em><\/td><\/tr>
 De stem van de molen \/ The voice of the windmill<\/a> <\/em><\/td>– windmill, harp, and wind
in collaboration with Iris van der Ende<\/em><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2016<\/p>\n\n\n\n

Tshoshwane<\/td>– sonic material from Mmabolela Field Recording Workshop in South Africa
Listen on the Free Music Archive<\/a><\/em><\/td><\/tr>
 Remember<\/em> my fate<\/a><\/td>– two bassoons<\/td><\/tr>
 Perseus Cluster<\/em><\/td>– for tuba, trumpet quartet, and four brass choirs<\/td><\/tr>
 G, a throat opera<\/a><\/em><\/td>– singer and tape, live video projection<\/td><\/tr>
 Adem<\/em><\/td>– bayan and tape<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

 2015<\/p>\n\n\n\n

 Sterven<\/em><\/td>– theater, harp, guitar
in collaboration with Iris van der Ende<\/em><\/td><\/tr>
 One<\/a><\/em><\/td>– flute & clarinet<\/td><\/tr>
 Train II<\/a><\/em><\/td>– <\/em>seven players and field recording<\/td><\/tr>
 A cup of tea<\/em><\/td>– singer and tape (music theater)<\/td><\/tr>
 Escalator<\/a><\/em><\/td>– Yamaha Disklavier and field recording
supported by the Conlon Foundation<\/em><\/td><\/tr>
 Hortus Botanicus Leiden<\/a> <\/em>
Sound Experienc<\/em>e<\/td>		– audio walk for headphones
in collaboration with Iris van der Ende<\/em><\/td><\/tr>
 Tulp<\/em><\/a><\/td>– soprano and electric guitar
Words by Mareen Lieftink<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2014<\/p>\n\n\n\n

 Train<\/a><\/em><\/td>– <\/em>seven players and field recording<\/td><\/tr>
 Leaf Cycle<\/a><\/em><\/td>– string trio (also for low strings)
commissioned by Zvov (formerly Zvuv)
Included in the “Zvov Sensory” project<\/a><\/td><\/tr>
 Cinco Letras<\/a><\/em><\/td>– cello and graphic projected score<\/td><\/tr>
 The Cough Drop Song<\/a><\/em><\/td>– singing pianist<\/em><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

2008 – 2013<\/p>\n\n\n\n

Rootabaga Stories<\/em><\/a> (2013 – 2014)<\/i><\/td>– an opera in two scenes
based on Carl Sandburg’s stories from <\/span>Rootabaga<\/span> Country<\/span><\/em><\/td><\/tr>
 Rhapsody<\/em><\/a><\/td>– oboe and harp<\/td><\/tr>
 Peanuts or Pretzels?<\/em><\/a><\/td>– soprano and piano miniature<\/td><\/tr>
 Melampau<\/a><\/em><\/td>– flute<\/td><\/tr>
 Toycycle<\/a><\/em><\/td>– toy piano and tricycle<\/em><\/td><\/tr>
Laugh in the Mirror<\/em><\/td>– audio\/visual installation
in collaboration with artist Lexi Bass<\/em><\/td><\/tr>
Twisting Brook<\/em><\/td>– toy piano
for vox novus project Mark Robson<\/td><\/tr>
 Too Many Cooks…<\/em><\/a><\/td>– percussion trio<\/td><\/tr>
 Epitaph for a Darling Lady<\/a><\/em>
– Dorothy Parker poem<\/td>		– soprano and piano<\/td><\/tr>
Buzz<\/em><\/td>– <\/i><\/b>miniature percussion duo<\/td><\/tr>
 Firebox<\/a><\/em><\/td>– piano
commissioned by Jordan Waller-Opaski<\/em><\/td><\/tr>
 Selections from Huber Winery<\/a>, <\/em>
five character pieces<\/td>		– piano
commissioned by Dr. Krista Wallace-Boaz<\/em><\/td><\/tr>
Switch<\/em> <\/a><\/td>– clarinet and live electronics<\/td><\/tr>
 Close Encounter of the Hillbilly Kind<\/em> <\/a><\/td> – a pocket opera
2 singers and 5-piece ensemble<\/td><\/tr>
Nigerian Scam Cycle<\/a><\/em><\/td>– <\/em>soprano and piano novelty songs<\/td><\/tr>
 Hot Pink Toccata<\/a><\/em><\/td>– organ<\/td><\/tr>
 Animal Opus<\/em><\/td> Electroacoustic music<\/a> page<\/td><\/tr>
 Cave of Sleeping Accordions<\/em><\/td> Electroacoustic music<\/a> page<\/td><\/tr>
Oscillations<\/a><\/em><\/td>– <\/em>string quartet<\/td><\/tr>
 Dance Suite<\/a><\/em><\/td>– double bass<\/td><\/tr>
 Wiegenlied<\/a><\/em><\/td>– organ<\/td><\/tr>
8<\/a><\/em><\/td>– organ<\/td><\/tr>
 To Breathe One’s First<\/em><\/a>
– orchestra (2010\/12)<\/td>		– full orchestra, <\/span>
2.2.2.2. 4.2.3.1. 1.2. harp, piano, strings<\/span><\/td><\/tr>
 Duo<\/a><\/em><\/td> – clarinet and marimba<\/td><\/tr>
Battle of Fantastical Forces<\/a><\/td>– Messiaen quartet (violin, clarinet, cello, piano)<\/td><\/tr>
 Frolic<\/a><\/em><\/td>– marimba<\/td><\/tr>
 Teufelstanz<\/a><\/em><\/td>– piano<\/td><\/tr>
 Remember From Womb You Came<\/em><\/td>Electroacoustic music<\/a> page<\/td><\/tr>
 Incidental Music for BOOTH<\/em><\/td>– theatre music for mixed ensemble
for Trinity University Theater production<\/em><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Browse and shop for scores!<\/h4>\n\n\n
\n\t\t\t\n\t\t\t\t
\n\t\t\t\t\tVisit shop<\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/a>\n\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Yvonne Freckmann’s works organized by year, in reverse chronological order.<\/p>","protected":false},"author":34670714,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"advanced_seo_description":"Yvonne Freckmann's works and compositions by year, in reverse chronological order.","jetpack_seo_html_title":"Yvonne Freckmann's works and compositions by year in reverse order.","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-22846","page","type-page","status-publish","hentry"],"featured_image_src":null,"jetpack_likes_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2lSVr-5Wu","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/yvonnefreckmann.com\/es\/wp-json\/wp\/v2\/pages\/22846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yvonnefreckmann.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yvonnefreckmann.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yvonnefreckmann.com\/es\/wp-json\/wp\/v2\/users\/34670714"}],"replies":[{"embeddable":true,"href":"https:\/\/yvonnefreckmann.com\/es\/wp-json\/wp\/v2\/comments?post=22846"}],"version-history":[{"count":4,"href":"https:\/\/yvonnefreckmann.com\/es\/wp-json\/wp\/v2\/pages\/22846\/revisions"}],"predecessor-version":[{"id":23180,"href":"https:\/\/yvonnefreckmann.com\/es\/wp-json\/wp\/v2\/pages\/22846\/revisions\/23180"}],"wp:attachment":[{"href":"https:\/\/yvonnefreckmann.com\/es\/wp-json\/wp\/v2\/media?parent=22846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}